The Best Musical Tony Award Debate: 1966

1966 was an interesting year in Tony Award history. Three of the four nominated Best Musicals, Man of La ManchaMame, and Sweet Charity, ultimately achieved iconic status and could have easily won the category, each for very different reasons. The three aforementioned nominees had some particularly good things going for them, but none of the three were the perfect musical, each falling short in one way or the other. The fourth nominee, Skyscraper, is simply in the running to round out the category, a weak choice in just about every aspect. We know that Man of La Mancha took home the prize, but did it have everything required to deserve a Best Musical win? Was there another title more deserving? Today we take a look at the 1966 Tony Awards and have that discussion.

The Best Musical Tony Award Debate: 1993

Going into the 1992-1993 theatre Season, most theatergoers were anticipating the forthcoming musical The Goodbye Girl to be the big hit and Best Musical victor at the Tony Awards. By June of 1993, that supposed kick was to be challenged by two musicals that would instead face-off against each other for the Best Musical Tony: The Who’s Tommy and Kiss of the Spider Woman. Throw in the long-running British import Blood Brothers, and 1993 was suddenly a very uncertain outcome in regards to the Tony. Even on the night of the show, we remained on tenterhooks and even saw the possibility of a tie. Ultimately, Kiss of the Spider Woman would be the victor, rising like a phoenix from the ashes of its highly publicized and mostly maligned New Musicals production at SUNY Purchase a few years earlier. 

The Name on Everybody’s Lips is Gwen Verdon

With the TV miniseries Fosse/Verdon on is way to the small screen this April, I thought I would take some time to look back on one of Broadway’s most captivating triple-threats and honored leading ladies: Gwen Verdon. Gwen Verdon was a multi-Tony Award winner, playing a wide variety of roles, many of which became iconic thanks to her distinctive personality and voice, not to mention her nonpareil dance skills. Let’s take a stroll down memory lane and remember the one, the only, the unforgettable, Gwen Verdon and the Broadway musicals that she touched.  

The Best Musical Tony Award Debate: 1958

Oh, you knew that sooner or later I was going to have to address this one, easily the most debated Tony Awards Best Musical outcome in history. Many people feel that West Side Story should have bested The Music Man this season, when it was, in fact, the other way around. Today, we look at the merits and detractions of both shows, as well as those of the three other nominees to debate whether Tony got it right.